Is an "Experimental" Nation Possible?
Nations of Writers 11 1. Cultural "Terrain" 11 2. New Geolinguistics 14 2: Cities of Writers 27 1. Merzak Allouache's Salut Cousin 38 3: Nabile Fares, or How to Become "Minoritarian" 47 4: Political or Poetic Allegories? On Tahar Djaout's L'invention du desert 67 5: Hi stories of Expatriation: Virtual Countries 83 1.
Tag: Maghreb
Introduction to the Cinematic Fragment 83 6: Multilingualism and National "Traits" 99 1. On Khatibi's Amour Bilingue 99 2. On Khatibi's Notion of the "Professional Traveler" 3.
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On Khatibi's Amour Bilingue 99 2. On Khatibi's Notion of the "Professional Traveler" 3.
The reinvention of ‘the Maghreb’
On Khatibi's Le livre du sang 7: The Cartography of the Nation: Mouloud Feraoun's Le fils du pauvre Revisited 8: This book is a vehement but always fair-minded and intellectually serious contribution to current discussions of francophone literature. Reda Bensmaia means to displace the boundaries of francophone studies. At the same time, he provokes a migration of highly 'theoretical' texts from their 'proper,' Parisian territory toward a different, experimental terrain. An accomplished scholar and lecturer, a bold, offbeat novelist, Bensmaia is a dynamic presence in literary and cultural studies here and abroad.
One wants to know his point of view.
Experimental Nations
The ideas are clearly articulated and developed in the various chapters dealing with writers from the Maghreb. This book represents an extremely interesting argument against reductive polarities in culture and a redefinition ofuniversalism outside of the colonial definition of uniform sameness.
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Do these writers address their compatriots, many of whom are illiterate or read no French, or a broader audience beyond Algeria, Morocco, and Tunisia? In Experimental Nations, Reda Bensmaia argues powerfully against the tendency to view their works not as literary creations worth considering for their innovative style or language but as "ethnographic" texts and to appraise them only against the "French literary canon. Tracing the move from the anticolonial, nationalist, and arabist literature of the early years to the relative cosmopolitanism and diversity of Maghrebi francophone literature today, Bensmaia draws on contemporary literary and postcolonial theory to "deterritorialize" its study.
