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Esse foi o primeiro livro com protagonista ass Logo de cara eu me apaixonei pela personalidade da Tash e acompanhar a sua jornada foi muito divertido. Foi bom ler personagens que, como eu, dosam bem o drama nos relacionamentos HAHA. Com uma escrita muito boa e madura, eu imaginava uma autora mais velha. Leitura mais que recomendada! O Ceifador Scythe, 1. As mixtapes de Ben. Que personagem, meus amigos. Eu gostei desse livro muito mais do que eu imaginei que fosse gostar. Oi meninas, tudo bem? Jan Oi meninas, tudo bem? Gosto muito de como o Raphael Montes mistura a realidade com o seu mundo inventado.

Esse foi meu primeiro contato com a escrita da Babi, e adorei! Ao longo do livro a gente vai entendendo seus motivos e o leitor vai desvendando esse personagem. Forrest Gump Forrest Gump, 1. E, nem sempre, crescer significa que vai ficar tudo bem. Justin, a professora Turton etc. Os livros da Sophie Kinsella sempre tem esse efeito em mim. Eu fico empolgado durante a leitura, eu dou muita risada e fico emocionalmente investido c Os livros da Sophie Kinsella sempre tem esse efeito em mim.

Eu fico empolgado durante a leitura, eu dou muita risada e fico emocionalmente investido com os dramas das protagonistas. The Hate U Give. Sometimes, they readily hand themselves over to oppressive forces:. A big patrol car soon pulled up, the cops came over and asked for my ID. I got up and went with the cops, got into the back of the patrol car, without hope or any illusion about what would happen, surrendering like a bull in a bullfight, let them take me, slaughter me, throw me to the Death Squad. In other passages, though, these encounters are very different.

And it is in the same tangled mass of buildings, streets, and beaches of Rio de Janeiro where the father dies at the hands of the repressive apparatus of the State.

These clashes obviously create a context of extreme violence that, organized along the new social order that Brazil began forming, could only exist in urban settings, as literary critic and theorist Tania Pellegrini explains:. The growing industrialization during the period ultimately bolsters fiction depicting urban centers, their swell and decay, and so highlights the resulting social and existential problems, including the rise of violence.

Pereira would only consider slightly later:. An important pillar of legal authority in the Democratic Era is the police. In Brazil, despite the transition into democracy, the Police most frequently act to defend the status quo of the State rather than the interest of its citizens, broadly defined. Social pressure for change sometimes results in conservative responses from the political establishment, which include police repression of the opposition.


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  5. Most often, police violence is not ordered but rather tolerated by those in power, when it serves their interests. In this way, the police sustain illegal authoritarianism both directly and indirectly, by practicing violent repression of opposition movements when political authorities demand it, but also by exploiting their autonomy to act against poor and marginalized people and any other group perceived as rebellious.

    Of course, it is intertwined with city space.

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    Driver revs the engine and unconsciously strokes the clutch. All the others, nearby, make the same gesture, in unison. Driver gazes out into the vast night in the direction of Teenage Whore. The driver, at that exact moment, sees a star and asks himself if it could be Mira the Wonderful. Driver shifts into first and pulls away, heading towards that star, unaware that it could also be the Demon Star, Beta Persei. The airport terminal was full of people waving strips of paper and placards. For characters left with nothing but their bodies and, as we saw, some lost ownership even over that , the metropolis is, one way or another, where the government is most active and effective:.

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    The state of exception, which is what the sovereign each and every time decides, takes place precisely when naked life — which normally appears rejoined to the multifarious forms of social life — is explicitly put into question and revoked as the ultimate foundation of political power. The ultimate subject that needs to be at once turned into the exception and included in the city is naked life. The cited examples make clear that the characters at hand both the oppressors and the oppressed are minor, trivial figures without significant goals.

    The narrators are similarly deplorable in their inarticulate communication and total lack of interest in seeing or describing in a daring way. We should remember that these figures fight to perceive only once they are in hiding or even disappearing entirely. It is this kind of person that political scientist Pilar Calveiro identifies as essential to the existence of the spaces of repression that the dictatorship created:. The majority of the men who made the concentration camp mechanism function seem to have the profile of a mediocre and cruel bureaucrat, capable of carrying out any order given his subordinate position and eager to take personal advantage of the situation.

    A swarm of mediocre men, of perfectly submissive non-subjects, of simple know-it-alls full of contradictions, fascinated by power and ready to use it, whenever possible, for personal gain. As these books were published at a time when a debate was just starting about the possibility of putting on trial the members of the State who practiced this violence — a process that the Amnesty Law would then impede as it does to this day!

    Now, maybe it is possible to synthesize all of these various elements and see how they form a sort of portrait of Brazilian society at the end of the military dictatorship. These are weak characters and narrators, decidedly weak, unable to rebuild what the most intense years of dictatorial oppression, the anos de chumbo , had torn apart:. All the dialogue is fake, all the books are fake.

    As fake as this laugh he imitates his own hysterical laugh from earlier. You only hear that kind of laugh on a stage.

    The Voice of the Weak: Characters and Narrators of “Redemocratization”

    I touched my scar and realized I desired him. He had an elegance about him. Confrontations with authority, as we saw, seem forever doomed to violence and to the subjugation of people in the name of institutions. Incidentally, the survival of those same institutions is what maintains the Amnesty Law and allows the state violence committed under the dictatorship to go unpunished.

    In fact, before leaving power, the military worked to guarantee:. Weak narrators and characters, tense settings, and uncontrollable authority that acts with impunity.