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Precisely why the work was ultimately titled Papillons Butterflies has never been explained; yet the title was obviously Schumann 's invention, and the suggestion of airiness and flight is clearly borne out by the music.


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Papillons, in keeping with its origin as music for a fictitious festival or ballroom scene, is a set of dance pieces, many of them waltzes. Even at this early stage in his compositional career -- Papillons is only the composer's second published work -- Schumann 's craft can hardly be called commonplace. The work draws on many external sources of inspiration, both literary and musical: The conclusion of Papillons is considered by many to be the composer's first masterstroke. Atop a bar pedal point on low D -- an extraordinary gesture for a work written before the introduction of the modern sostenuto pedal -- Schumann combines a fragment from the "Grossvaterlied" with the waltz melody that opens the work.

Six accented notes represent the striking of a clock Schumann inscribed on the score, "The clamor of the carnival dies away, the clock in the tower strikes six" , after which the pianist executes a remarkable diminuendo effected by the removal of notes, one at a time, from a sustained dominant-seventh chord. The party-goers disappear as the sound gradually vanishes into nothingness.

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Papillons (Butterflies) for piano, Op. 2

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