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There's a problem loading this menu right now. Get fast, free shipping with Amazon Prime. Your recently viewed items and featured recommendations. View or edit your browsing history. Academics have noted that Bulgakov's novel abounds with symbols derived from Freemasonry. It shows Freemason rituals, which this theory suggests originate from the mystery plays of Ancient Egypt and Ancient Greece. Such writers suggest that Bulgakov had knowledge of Freemasonry. Critics believe Bulgakov drew from this extravagant event for his novel. In the middle of the Great Depression and Stalinist repression, Bullitt had instructed his staff to create an event that would surpass every other Embassy party in Moscow's history.

The decorations included a forest of ten young birch trees in the chandelier room; a dining room table covered with Finnish tulips; a lawn made of chicory grown on wet felt; a fishnet aviary filled with pheasants, parakeets, and one hundred zebra finches, on loan from the Moscow Zoo; and a menagerie including several mountain goats, a dozen white roosters, and a baby bear. The festival lasted until the early hours of the morning. The bear became drunk on champagne given to him by Karl Radek.

In the early morning hours, the zebra finches escaped from the aviary and perched below the ceilings around the house. In his novel, Bulgakov featured the Spring Ball of the Full Moon , considered to be one of the most memorable episodes. Ambassador to the Russian Federation, hosted an Enchanted Ball at Spaso House, recreating the spirit of the original ball as a tribute to Ambassador Bullitt and Bulgakov. The novel deals with the interplay of good and evil, innocence and guilt, courage and cowardice, exploring such issues as the responsibility towards truth when authority would deny it, and freedom of the spirit in an unfree world.

Love and sensuality are also dominant themes in the novel. Margarita's devotional love for the Master leads her to leave her husband, but she emerges victorious.

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Her spiritual union with the Master is also a sexual one. The novel is a riot of sensual impressions, but the emptiness of sensual gratification without love is emphasized in the satirical passages. Rejecting sensuality for the sake of empty respectability is pilloried in the figure of Nikolai Ivanovich, who becomes Natasha's hog-broomstick. The interplay of fire, water, destruction, and other natural forces provides a constant accompaniment to the events of the novel, as do light and darkness, noise and silence, sun and moon, storms and tranquility, and other powerful polarities.

There is a complex relationship between Jerusalem and Moscow throughout the novel, sometimes polyphony , sometimes counterpoint. The novel is deeply influenced by Goethe 's Faust , [14] and its themes of cowardice, trust, intellectual curiosity, and redemption are prominent. It can be read on many different levels, as hilarious slapstick , deep philosophical allegory, and biting socio-political satire critical of not just the Soviet system but also the superficiality and vanity of modern life in general. But the novel is full of modern elements, such as the model asylum, radio, street and shopping lights, cars, lorries, trams, and air travel.

There is little evident nostalgia for any "good old days" — the only figure who mentions Tsarist Russia is Satan. The book is a Bildungsroman , with Ivan Nikolayevich as its focus. It also has strong elements of what in the later 20th century was called magic realism. The novel is influenced by the Faust legend, particularly the first part of the Goethe interpretation and the libretto of the opera which music was composed by Charles Gounod.

Nikolai Gogol is seen as an influence, as is the case in other of Bulgakov's novels. The early translation by Glenny runs more smoothly than that of the modern translations; some Russian-speaking readers consider it to be the only one creating the desired effect, though it may take liberties with the text. The book was listed in Le Monde 's Books of the Century.

A memorable and much-quoted line in The Master and Margarita is: The Master is a writer who is plagued both by his own mental problems and the harsh political criticism faced by most Soviet writers in s Moscow in the Stalinist Soviet Union. He burns his treasured manuscript in an effort to cleanse his mind from the troubles the work has brought him. Woland later gives the manuscript back to him saying, "Didn't you know that manuscripts don't burn?

Bulgakov burned an early copy of The Master and Margarita for much the same reasons as he expresses in the novel. Since the late s and the fall of the Soviet Union, the building has become a gathering spot for Bulgakov fans, as well as Moscow-based Satanist groups. Over the years they have filled the walls with graffiti. The best drawings were usually kept as the walls were repainted, so that several layers of different colored paints could be seen around them. In , all of the numerous paintings, quips, and drawings were completely whitewashed.

The two museums are rivals: Bulgakov, although established second, identifies as "the first and only Memorial Museum of Mikhail Bulgakov in Moscow". This museum was established as a private initiative on 15 May It contains personal belongings, photos, and several exhibitions related to Bulgakov's life and his different works. Various poetic and literary events are often held.

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The museum organises tours of Bulgakov's Moscow , some of which have re-enactors playing characters of The Master and Margarita. The Bulgakov House also operates the Theatre M. In apartment number 50 on the fourth floor is the Museum M. This facility is a government initiative, founded on 26 March Various poetic and literary events are often held here. Various authors and musicians have credited The Master and Margarita as inspiration for certain works.

Many students of art schools found inspiration in The Master and Margarita to make short animated movies. The Master and Margarita has been adapted on stage by more than theatre companies all over the world. Hundreds of composers, bands, singers and songwriters were inspired by The Master and Margarita in their work. Some songs or musical pieces have been counted about it. Many Russian bards, including Alexander Rosenbaum , have been inspired by the novel to write songs about it.

They have based more than songs [ citation needed ] on themes and characters from The Master and Margarita.

Der Meister und Margarita

Valery Leontiev 's song "Margarita" was the basis of the first Russian music video, produced in A dozen classical composers, including Dmitri Smirnov and Andrey Petrov , have been inspired by the novel to write symphonies and musical phantasies about it. Five alternative composers and performers, including Simon Nabatov , have been inspired by the novel to present various adaptations.

In , Portuguese new media artists Video Jack premiered an audiovisual art performance inspired by the novel at Kiasma , Helsinki, as part of the PixelAche Festival. Since then, it has been shown in festivals in different countries, having won an honorable mention award at Future Places Festival, Porto. The project was released as a net art version later that year. From Wikipedia, the free encyclopedia. This article is about the novel.

For other uses, see The Master and Margarita disambiguation. Bulgakov Museum in Moscow. The Master and Margarita film. Encyclopedia of the Novel. New Jersey, United States: Reference guide to Russian literature. Archived from the original on 20 January The Acts of the Kiev Theological Academy. Spaso House, 75 Years: Global Publishing Solutions, Swindon.

The Master and Margarita. Archived from the original on 24 October Sympathy for the Devil" , Salon , archived from the original on 2 December A graphic novel by Mikhail Bulakov". Archived from the original on Archived from the original on 3 April Retrieved 17 July Oxford University Dramatic Society. Archived from the original on 29 August Retrieved 10 July Archived from the original on 2 November Retrieved 25 August Archived from the original on 27 September