What Is Madonna's Greatest Era? The SPIN staff dissects one woman's three decades of pop stardom". Retrieved August 19, Retrieved 26 August Retrieved December 18, Recording Industry Association of America. Library and Archives Canada. Retrieved July 4, Archived from the original on September 11, Retrieved April 7, Federation of the Italian Music Industry. You Must Love Me" in Finnish.
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Live from Buenos Aires' concert film". Retrieved July 5, How Big a Sin? Retrieved March 14, Retrieved June 25, Retrieved February 5, Retrieved June 11, Archived from the original on August 25, Retrieved February 21, Random House Publishing Group. Stephen Sondheim and Andrew Lloyd Webber: Madonna in Her Own Words.
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Book Category Portal Template. Academy Award for Best Original Song. Herb Magidson " Lullaby of Broadway " Music: Dorothy Fields " Sweet Leilani " Music and lyrics: Harry Owens " Thanks for the Memory " Music: Leo Robin " Over the Rainbow " Music: Mack Gordon " Swinging on a Star " Music: Jimmy Van Heusen Lyrics: Ray Gilbert " Buttons and Bows " Music: Frank Loesser " Mona Lisa " Music and lyrics: Ray Evans and Jay Livingston Upon slowing down the tempo considerably, they realized the song gained considerable power and thought about giving the song to one of three artists: Eventually, the song made its way to Bonnie Raitt , who recorded the track for her eleventh studio album, Luck of the Draw Raitt co-produced the song with Don Was , while Bruce Hornsby provided a piano accompaniment.
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Raitt's vocal range on the song spans from the low-note of F3 to the high-note of Bb4. The judge asked him if he had learned anything, to which he replied, "I learned, Your Honor, that you can't make a woman love you if she don't. A pensive ballad , "I Can't Make You Love Me" was recorded against a quiet electric piano -based arrangement, with prominent piano fills and interpolations supplied by Bruce Hornsby.
The singer depicts a now one-sided romantic relationship about to end in soft but brutally honest terms: Stephen Thomas Erlewine of AllMusic praised the track, calling it a "strong song" and picking it as one of the album's best tracks. There's real ache in every word that drips from her pained lips. The song's popularity helped solidify her remarkable late-in-career commercial success that had begun two years before. In the time since, "I Can't Make You Love Me" has gone on to become a pop standard and a mainstay of adult contemporary radio formats.
For Raitt, the song was notoriously difficult to sing, due to its required vocal range, difficult phrasing and breathing, and the emotional content involved. At the televised Grammy Awards of Raitt performed it in an even more austere setting than on record, with just her and Hornsby highlighted. As she negotiated the final vocal line, she let out a big audible and visible sigh of relief that she had successfully gotten through it. I love that song, so does the audience. So it's almost a sacred moment when you share that, that depth of pain with your audience.
Because they get really quiet, and I have to summon The song was a big hit for Raitt, reaching number 18 on the Billboard Hot and number 6 on the Billboard Adult Contemporary chart. Although Bruce Hornsby had no hand in writing the song, his piano part on it became associated with him. Phil Collins described it as instantly recognizable as Hornsby's work. On his own subsequent tours, Hornsby included the song in a number of his set lists. He sometimes let a female backing singer in his band take on the vocal. English singer George Michael covered "I Can't Make You Love Me" and released as a B-side of his single, " Older ", which was released on 20 January as the fourth single from the album of the same name.
The Best of George Michael After the release of his second studio album, Listen Without Prejudice Vol. Michael sued Sony to end his contract, leading to a long and costly legal battle that ended in , with Michael signing to the newly launched Dreamworks Records label in the United States and Virgin in the rest of the world.
While choosing the fourth single from the album, the title track " Older " was announced as the chosen one, with an EP also titled "Older" being released to promote the song. The peak position is the same of its A-side single " Older ". Their version was released as the album's first single on October 27, After releasing their second cover album in , Motown: A Journey Through Hitsville USA , which was well received by critics, but failed to produce a successful single, the band announced plans for a new cover album, that features cover versions of songs by "artists I don't think people would expect us to cover," according to member Shawn Stockman.
It's always been a favorite of ours, and we hope people will fall in love with it again.
The song was acclaimed by music critics, who praised Adele's delivery and vocals. The song has charted on the UK Singles Chart , reaching the top-forty, although it was never released as a single. In addition to receiving positive reviews from music critics, Adele's second album 21 became one of the most successful albums of the s, being the biggest selling musical release for both and and entering the Guinness World Records.
Before performing the track, Adele stated that it was one of her favorite songs and described it as "perfect in every way". The song was one of the highlights of The Blues Brothers ' live set. Bruce Springsteen frequently ended his shows in the mids with the song, as part of a medley with " Twist and Shout ". Indie band Steadman has a well known cover of the song, played in the style of the Dave Clark Five. Andy Fraser covered the song in the style of the s back in Westlife performed a live version for their The Greatest Hits Tour in German girl group Preluders covered the song for their cover album Prelude to History in In David Hasselhoff famously sang the song in an episode of Baywatch.
In , Ian Gillan and the Javelins recorded a version as the lead single of their self-titled album of rock and roll covers. The Contours, by then composed of Joe Billingslea and three new members, joined Ronnie Spector and Bill Medley , among others, on a 'Dirty Dancing Tour' resulting from the success of the film. David Hasselhoff performed it on Baywatch in the episode "The Reunion". With the re-release of the single in , Motown also released a 12" maxi-single Motown with an extended dance remix, running 6: It was featured in the movie The Wanderers.