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Keeping this job is a condition of Angel's parole; even so, it's doubtful that the ever-shifty Angel would be capable of doing so, except that his brother-in-law owns the paper. Jim also uses Angel on a few occasions to play a supporting role in the elaborate con games that he sets up to sting especially difficult adversaries. Angel is himself forever running some sort of usually very bottom-of-the-barrel con game, and is consistently ready to sell anyone out at a moment's notice for his own benefit — and often does.

In doing so, Angel almost always gets Rockford in trouble, usually by involving him in hare-brained scams In spite of this, Jim considers Angel as one of his best, if most exasperating, pals. Towards the very end of the series, there is a noticeable cooling in Jim's attitude toward Angel in their often fractious relationship; however, the rift seems to have been repaired by the time of the reunion movies. Rockford has a close relationship with his attorney, the idealistic, tenacious Elizabeth "Beth" Davenport Gretchen Corbett. In second-season episode "A Portrait of Elizabeth", it is explained that Beth and Rockford had dated for a time prior to the beginning of the series , but she soon became aware of his emotional unavailability and lack of interest in a longterm relationship, and realized that they'd be better off as friends although the two do seem to still casually date on occasion during early seasons.

After Corbett was dropped from the show following the fourth season allegedly due to contract disputes between Universal, which owned her contract, and Cherokee Productions, Garner's company , a new legal adviser John "Coop" Cooper, a disbarred attorney who befriends Jim , and a new romantic interest Kathryn Harrold as Dr. Megan Dougherty for Rockford were added. Rockford has romantic flings with numerous women, but none become permanent.

James Garner's real-life brother, Jack Garner , made 23 appearances playing at various times a policeman, a gas station attendant, and a stranger in a bathroom. The most regular character Jack played was that of police officer "Captain McEnroe" a number of times in the final season. The show's pilot was written by Cannell, who also wrote 36 episodes and was the show's co-creator.

Juanita Bartlett, one of the show's producers and Garner's partner at Cherokee Productions, wrote 34 episodes. She also wrote for Scarecrow and Mrs. The show's co-creator, Roy Huggins , also wrote for the show during the first season, always using pen name John Thomas James. However, Huggins' contributions to the show ended midway through the first season, after he submitted a script rewrite direct to set as the episode was shooting, without getting approval from any other writer or producer. Garner, trying to work with the material on set, felt the rewrite was unsatisfactory, and could not figure out why it had been approved for shooting.

When he discovered that neither Cannell nor any of the other production staff members knew anything about the rewrite, Garner issued a directive that Cannell, not Huggins, had final say on all script material. Though Huggins was credited as a producer for the entire run of the series, this effectively ended his creative involvement with the show, as he submitted no further material to The Rockford Files and did not involve himself in the day-to-day running of the series. Frequent directors included William Wiard 23 episodes , Lawrence Doheny 10 episodes , and Ivan Dixon previously a regular on Hogan's Heroes 9 episodes.

Veteran actor James Coburn directed an episode.

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One oft-recurring element of the show was the famous "Jim Rockford turn-around" also known as a J-turn or a "moonshiner's turn" - commonly employed as an evasive driving technique taught to Secret Service. That locks the wheels and throws the front end around. Then you release everything, hit the gas, and off you go in the opposite direction. Garner writes in his autobiography that he believes that the letters OKG stood for "Oklahoma Garner" but that he does not know the origin of the numbers Starting with the model year, Rockford would get a new model-year Pontiac Firebird each year throughout the series.

The Firebirds used had an identical "copper mist" color with the Esprit's exterior and interior.

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Although the Firebirds were badged as Esprits, they were actually the higher performance "Formula" model without the twin scoop hood. Garner needed Rockford's car to look like the lower tiered "Esprit" model, a car Rockford could afford, but have the performance necessary for the chase sequences in the show.

To achieve this, the show featured Pontiac Firebird Formulas re-badged and re-hooded to look like the "Esprit" model. The "Formula" model was developed to provide the performance of the top level "Trans Am" in a less ostentatious form. Formulas didn't have the Shaker hood scoop, side vents, graphics or lettering used on the Trans Am, but they had the same higher horsepower engines and drive trains, larger front and rear anti-roll bars, stiffer springs and shocks, and a twin scoop hood.

Sharp-eyed car connoisseurs can spot the twin exhausts and rear anti-roll bar on the cars used on the show, options that were not part of the "Esprit" package, as well as spot the different model year cars used in various chase scenes that differed from those in an actual episode, especially in later seasons.

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Although the series ran until early , no Firebird was used past the model year as Garner reportedly was displeased with the restyled front end of the and later Firebird models and as such did not wish them featured on the show although an answering machine message in one episode in the final season indicated his car was Firebird. The truck had a cubic-inch engine, Turbo automatic transmission, and a 4-wheel drive factory setup. It appears at the opening and ending of each episode with different arrangements. Throughout the show's tenure, the theme song went through numerous evolutions with later versions containing a distinct electric guitar-based bridge section.

The theme song was released as a single and spent two weeks at No.


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The single remained on the chart for 16 weeks and won a Grammy Award for Best Instrumental Arrangement. Each episode began with the image of Rockford's answering machine , and the opening title sequence was accompanied by someone leaving Rockford a message on a Dictaphone remote Ansafone This is Jim Rockford.

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At the tone, leave your name and message. I'll get back to you. The messages were usually unrelated to the episodes. They were a humorous device that invited the viewer to return to the quirky, down-on-his-luck world of Jim Rockford. The messages usually had to do with creditors, deadbeat clients, or were just oddball vignettes. Numerous celebrities and well-known contemporary public figures were used in the recordings. Though a distinctive and clever entry device, the messages became difficult for the writers to create. Suggestions from staffers and crew were welcome and often used.

In total, different messages were created through the run of the original six series. Each message is a standalone gag that often provides a small amount of biographical detail about Rockford, the people he knows and the activities that occur in his life as a Private Investigator. Only extremely rarely such as in episode No. In "Guilt" although not connected to the plot it does get referenced during the opening scene. The recorded message is Angel giving a racing tip and when Jim gets back to the trailer he plays back another message from Angel asking why Jim ignored the tip.

The show went into hiatus late in when Garner was told by his doctors to take time off because of numerous knee injuries and back trouble, as well as an ulcer. He sustained the former conditions largely because of his insistence on performing most of his own stunts, especially those involving fist fights or car chases. Because of his physical pain, Garner eventually opted not to continue with the show some months later, and NBC cancelled the program in mid-season. It was alleged that Rockford had become very expensive to produce, mainly due to the location filming and use of high-end actors as guest stars.

According to sources, NBC and Universal claimed the show was generating a deficit of several million dollars, a staggering amount for a nighttime show at the time, although Garner and his production team Cherokee Productions claimed the show turned a profit.

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The script often called for Garner to damage his car, so the car could be sold, repaired, and repurchased for each episode. Later in the s, Garner became engaged in a legal dispute with Universal regarding the profits from Rockford Files that lasted over a decade. The dispute caused significant ill will between Garner and the studio. The dispute was settled out of court in Garner's favor, but the conflict meant that the Rockford character would not re-emerge until Universal began syndicating the show in and aggressively marketed it to local stations well into the early and middle s.

This accounts for its near-ubiquity on afternoon and late-night schedules in those days. From those showings, Rockford developed a following with younger viewers, with the momentum continuing throughout the s and s decade on cable. The Ben Folds Five song "Battle of Who Could Care Less," in which The Rockford Files is mentioned, is one example of the show's newfound youth following; furthermore, the Rockford Files theme song is played at the end of the band's concerts.

In , the show was broadcast for a few months on Superstation WGN. ION Television has rights to the show and it is slated for future broadcast. In the fall of , the show reappeared in Canada on Deja View. The series aired in the United States on the Me-TV digital subchannel network until September 2, , the series was available on Netflix until January 1, , with the first three seasons available on Hulu Plus. The series pilot aired on NBC March 27, , as a minute made-for-television movie. In the pilot, Lindsay Wagner also starred and later made a return appearance.

The pilot was titled Backlash of the Hunter for syndication. There is no mention of these episodes being filmed. This would appear to be the source of the unsubstantiated rumor that four filmed but unaired Rockford episodes were destroyed in a fire in