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I would say the reading level is higher than Big Nate but not as high as say Harry Potter. These are great transition books for readers who need a bit more of a challenge. However they are also great for more advanced readers who just want to read a great story about an amazing adventure. Overall a great series and I would highly recommend for the yr old set.

Another very entertaining story in the Dragonbreath series. After Wendell is bitten by a hot dog, Danny and Wendell must find a way to take down the alpha wurst and save the school not to mention Wendell! Ursula's trademark "quirkiness" is in full force here. I'm counting on it. Anyone book that can throw in the line "Joseph Campbell is spinning in his grave" and have it be apropos is totally awsome! I think the storytelling is a notch higher in this book than in previous books. With his best friend's life on the line, Danny's adventure has a bit more gravity and a bit less whimsy to it.

I enjoyed this book and highly recommend it to anyone who would enjoy a bit of intelligent silliness. I am constantly looking for books that will keep my eleven year old son entertained. He really loved the Diary of a Whimpy Kid books so when I purchased these books I was looking for a series of fun and entertaining books for him to read this summer. Well needless to say; these books were so entertaining that my son has read the entire series in less than a week. If you have a son or daughter ages they are sure to really enjoy this series.

The DragonBreath series is cute and very entertaining. The books have some pictures which my son really enjoyed looking at. I highly recommend this series especially for boys and girls that are into the Wizard internet games. This is a comedy book. I bought the first one for my year-old who enjoys reading funny books. He is a boy. Small comparison might be the diary of a Wimpy kid series for the comedy also.

When he is reading this book he goes beyond the required minimum time he is supposed to read. He really enjoys the series. I like it because there is no Violence and no swearing.

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It is a funny book about a dragon. One person found this helpful. In this continuation of the Dragonbreath series, Ursula Vernon channels more of her childhood memories as a young lizard. Highly recommend it for those raising upright young dragons in a difficult world. My son loved this book! Read it in one day! My kids and I love this series, and Curse of the Were-wiener is our favorite of all of them.

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We had actually already read this book from the library and loved it so much I ordered a copy from Amazon. My kids are 9 and 12 boy and a girl and both love the books. It is especially a great series for kids having a hard time getting into reading because the graphics are so engaging. You can always count on something like this book to capture a students attention.


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It's furn looking, bright new cover is eye catching. Everyone is checked out and others are waiting for them to be checked back in. Even 4th and 5th graders seem to like them. See all 68 reviews. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Curse of the Were-wiener. Set up a giveaway. Customers who viewed this item also viewed. Pages with related products. See and discover other items: There's a problem loading this menu right now.

Learn more about Amazon Prime. Get fast, free shipping with Amazon Prime. Get to Know Us. English Choose a language for shopping. Our favorite toys for everyone on your list. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. The unfinished seventh book the Cantos of Mutability appears to have represented the virtue of "constancy. The Faerie Queene was written during the Reformation, a time of religious and political controversy. After taking the throne following the death of her half-sister Mary, Elizabeth changed the official religion of the nation to Protestantism.

The poem celebrates, memorializes, and critiques the House of Tudor of which Elizabeth was a part , much as Virgil 's Aeneid celebrates Augustus ' Rome. The poem is deeply allegorical and allusive ; many prominent Elizabethans could have found themselves partially represented by one or more of Spenser's figures. Elizabeth herself is the most prominent example. Perhaps also, more critically, Elizabeth is seen in Book I as Lucifera, the "maiden queen" whose brightly lit Court of Pride masks a dungeon full of prisoners. The poem also displays Spenser's thorough familiarity with literary history.

In it, Spenser attempts to tackle the problem of policy toward Ireland and recreates the trial of Mary, Queen of Scots. Some literary works sacrifice historical context to archetypal myth, reducing poetry to Biblical quests, whereas Spenser reinforces the actuality of his story by adhering to archetypal patterns. In turn, he does not "convert event into myth" but "myth into event". For example, Spenser probably does not believe in the complete truth of the British Chronicle, which Arthur reads in the House of Alma.

Even so, poetical history of this kind is not myth; rather, it "consists of unique, if partially imaginary, events recorded in chronological order". However, the reality to interpreted events becomes more apparent when the events occurred nearer to the time when the poem was written. This led to a significant decrease in Elizabeth's support for the poem. Though it praises her in some ways, The Faerie Queene questions Elizabeth's ability to rule so effectively because of her gender, and also inscribes the "shortcomings" of her rule. This character is told that her destiny is to be an "immortal womb" — to have children.

The Faerie Queene's original audience would have been able to identify many of the poem's characters by analyzing the symbols and attributes that spot Spenser's text. For example, readers would immediately know that "a woman who wears scarlet clothes and resides along the Tiber River represents the Roman Catholic Church".

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They take the role of "visual figures in the allegory and in illustrative similes and metaphors". Fox, who resembles Bluebeard in his manner of killing his wives. Fox and tells about his deeds. Notably, Spenser quotes the story as Britomart makes her way through the House, with warning mottos above each doorway "Be bold, be bold, but not too bold.

While writing his poem, Spenser strove to avoid "gealous opinions and misconstructions" because he thought it would place his story in a "better light" for his readers. However, there are dedicatory sonnets in the first edition to many powerful Elizabethan figures. Spenser addresses "lodwick" in Amoretti 33, when talking about The Faerie Queene still being incomplete.

This could be either his friend Lodowick Bryskett or his long deceased Italian model Ludovico Ariosto, whom he praises in "Letter to Raleigh".

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The poem is dedicated to Elizabeth I who is represented in the poem as the Faerie Queene Gloriana, as well as the character Belphoebe. In October , Spenser voyaged to England and saw the Queen. It is possible that he read to her from his manuscript at this time. On 25 February , the Queen gave him a pension of fifty pounds per year. Throughout The Faerie Queene , virtue is seen as "a feature for the nobly born" and within Book VI, readers encounter worthy deeds that indicate aristocratic lineage. Initially, the man is considered a "goodly knight of a gentle race" who "withdrew from public service to religious life when he grew too old to fight".

Likewise, audiences acknowledge that young Tristram "speaks so well and acts so heroically" that Calidore "frequently contributes him with noble birth" even before learning his background; in fact, it is no surprise that Tristram turns out to be the son of a king, explaining his profound intellect.

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Using the Salvage Man as an example, Spenser demonstrated that "ungainly appearances do not disqualify one from noble birth". On the opposite side of the spectrum, The Faerie Queene indicates qualities such as cowardice and discourtesy that signify low birth. During his initial encounter with Arthur, Turpine "hides behind his retainers, chooses ambush from behind instead of direct combat, and cowers to his wife, who covers him with her voluminous skirt". In this style, there are nine iambic lines — the first eight of them five footed and the ninth a hexameter — which form "interlocking quatrains and a final couplet".


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Over two thousand stanzas were written for the Faerie Queene. In Elizabethan England, no subject was more familiar to writers than theology. Elizabethans learned to embrace religious studies in petty school, where they "read from selections from the Book of Common Prayer and memorized Catechisms from the Scriptures". Here, allegory is organized in the traditional arrangement of Renaissance theological treatises and confessionals.

While reading Book I, audiences first encounter original sin, justification and the nature of sin before analysing the church and the sacraments. During The Faerie Queene's inception, Spenser worked as a civil servant, in "relative seclusion from the political and literary events of his day". Within his poem, Spenser explores human consciousness and conflict, relating to a variety of genres including sixteenth century Arthurian literature.

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The Faerie Queene draws heavily on Ariosto and Tasso. The first three books of The Faerie Queene operate as a unit, representing the entire cycle from the fall of Troy to the reign of Elizabeth. Despite the historical elements of his text, Spenser is careful to label himself a historical poet as opposed to a historiographer.

Spenser notes this differentiation in his letter to Raleigh, noting "a Historiographer discourseth of affairs orderly as they were done…but a Poet thrusteth into the midst…and maketh a pleasing Analysis of all". Spenser's characters embody Elizabethan values, highlighting political and aesthetic associations of Tudor Arthurian tradition in order to bring his work to life. While Spenser respected British history and "contemporary culture confirmed his attitude", [33] his literary freedom demonstrates that he was "working in the realm of mythopoeic imagination rather than that of historical fact".

The Faerie Queene owes, in part, its central figure, Arthur, to a medieval writer, Geoffrey of Monmouth. In his Prophetiae Merlini "Prophecies of Merlin" , Geoffrey's Merlin proclaims that the Saxons will rule over the Britons until the "Boar of Cornwall" Arthur again restores them to their rightful place as rulers. Through their ancestor, Owen Tudor , the Tudors had Welsh blood, through which they claimed to be descendants of Arthur and rightful rulers of Britain.

Since its inception four centuries ago, Spenser's diction has been scrutinized by scholars. Despite the enthusiasm the poet and his work received, Spenser's experimental diction was "largely condemned" before it received the acclaim it has today. Sugden argues in The grammar of Spenser's Faerie Queene that the archaisms reside "chiefly in vocabulary, to a high degree in spelling, to some extent in the inflexions, and only slightly in the syntax". Samuel Johnson also commented critically on Spenser's diction, with which he became intimately acquainted during his work on A Dictionary of the English Language , and "found it a useful source for obsolete and archaic words"; Johnson, however, mainly considered Spenser's early pastoral poems, a genre of which he was not particularly fond.

The diction and atmosphere of The Faerie Queene relied on much more than just Middle English ; for instance, classical allusions and classical proper names abound—especially in the later books—and he coined some names based on Greek , such as "Poris" and "Phao lilly white. Spenser's language in The Faerie Queene , as in The Shepheardes Calender , is deliberately archaic, though the extent of this has been exaggerated by critics who follow Ben Jonson 's dictum, that "in affecting the ancients Spenser writ no language.

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Examples of medieval archaisms in morphology and diction include:. Numerous adaptations in the form of children's literature have been made — the work was a popular choice in the 19th and early 20th century with over 20 different versions written, with the earliest being E. Bradburn's Legends from Spencer's Fairy Queen, for Children , written in the form of a dialogue between mother and children — the 19th-century versions oft concentrated on the moral aspect of the tale. The Edwardian era was particularly rich in adaptation for children, and the works richly illustrated, with contributing artists including A.

Walker , Gertrude Demain Hammond , T. Robinson , Frank C. According to Richard Simon Keller, George Lucas 's Star Wars film also contains elements of a loose adaptation, as well as being influenced by other works, with parallels including the story of the Red Cross Knight championing Una against the evil Archimago in the original compared with Lucas's Luke Skywalker, Princess Leia, and Darth Vader.